Bradley Banana and The Jolly Good Pirate
July 28th, 2010
If a flower essence for humility became a child, what would it look like? Bradley Banana! This high-seas adventure tale is presented in a hardcover children’s book that arrived to our office less than a week ago—yet people already seem to like Bradley Banana the moment they look into his watercolor eyes.
“Great name,” said the town librarian when I enquired about presenting an enacted storytelling of Bradley Banana and The Jolly Good Pirate for the library’s “storytelling hour” to the children.
The book’s first performance took place last night at a loca week long camp out. A dozen families gathered around a campfire to watch the proud pirate captain, Chadwick Clumpalong, emerge from the trees to meet a little boy who would change his life forever.
And so the story unfolded: would the pompous captain force Bradley to walk the plank, or would Bradley’s example of calm humility help Clumpalong to understand that there’s more to life than merely himself?
The idea came to me many years ago of personifying the Spirit-in-Nature Essences as children—though it wasn’t until years later that I was finally able to actually commit to writing about them.
First came Samantha Strawberry while I was on a camping trip near Lake Tahoe. Paragraph by paragraph, my sharpened pencil sketched out her quality of dignity that saved the Trufflestrum Forest from being leveled into a housing development. Next was Leona Lettuce, whose calmness became a soothing presence in teaching her brother to ride his bicycle with confidence.
Why Bradley Banana came first in the book series is a mystery. It just happened that way. Every part of this project has had a sense of fun and adventure, much like Bradley’s trek up “The Vanishing Mountain.”
A great deal of research was involved for everything including the shape and size of the book—landscape or portrait, large or small—and even the tiniest detail of what font to use. After many trips to libraries, book stores and online stores, there it was, the perfect font with sans serif letters (easier for children to read), long and slightly arched—just like bananas!
It’s been an honor to work with Chitra Sudhakaran on this book. Her sensitivity to the subtleties of this project is apparent in every illustration. In bringing the storyboard to life, we both felt that something much bigger than either the text or the drawings alone was created. (Thank you, Chitra!)
I hope you get to meet Bradley Banana. He’s a delightful little guy.
Dear Lila,
And, yes, if you feel drawn to pears, you are correct that the flower/food connection is a wonderful tool for essence selection. Taking
We received this letter today from someone interested in our Home Study Course:
already considered. You mentioned your connection and resonance with another essence line. Since the essences lend themselves so readily to intuitive work, being vibrational by nature, it sounds like you already have the ability to tune in to the essences you need to work with. The point being, different people resonate with different essence lines; perhaps that’s why there are now hundreds of them.
Rosa wrote the following letter, documenting her strong response to a flower essence, not knowing how to accurately interpret her reaction. Below is her email with my answer, followed by her additional comments.
This is not me, as I am not a crier. (Eveyone knows I’m a crabber, not a crier!) What in the world is going on here!?!?!? I have one more day of
It wasn’t a physically hurtful sort of feeling, just overwhelming sadness. I went back and re-read the 






At a workshop earlier this month in Boise, Idaho, we conducted what’s called an “open session consultation.” This is a mini-consult with the class in attendance to observe the following consultation components: the selection of flower essences; the order of the essences in a serial program; and a brief substantiation for the flower essence choices. Since we only had about 20 minutes, the session was somewhat condensed. 

where a simple change of focus, embodied in
This is where
or rather, “why not me?” The question itself suggests a form of resistance, which is certainly understand- able in a fatal accident for those left behind. As mentioned in my previous post on
I would also suggest that this woman spend time in Nature: taking gentle walks with deep breathing, as a way of com- muning with its healing energy. 

